Composer and sound designer for a gritty, post-apocalyptic rendition of Shakespeare’s The Lamentable Tragedy of Titus Andronicus. The score imagines a future post-civilisation’s interpretation of today’s music — particularly metal — filtered through centuries of technological and societal collapse. Through a combination of found objects, prepared piano, modular synthesis and heavily processed live instruments, the brutality of the setting is captured and elevated by the score — as are the almost unsettling moments of peace and quietude, especially when the otherwise omni-present infrasonic rumble suddenly falls away.
Excerpts from the sound track can be found below:
Overture
Act 1 Outro
Act 2 Intro
Tamora Nightmare (part 1)
Tamora Nightmare (part 2, overlayed over above track after a cue within the scene)
Fanfare
Bows/Exit Music